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outcry

It’s all about adding and substracting… In the artist’s own words.

Paul Bloomer’s latest exhibition ar the Shetland Museum & Archives in Lerwick, Scotland, UK, feels an epic saga in charcoal, cladding the whitest of walls inside da Gadderie, that non-static space devoted to the muable world.

The huge pictures felt they had been tailored to perfection. Paul needs to create his own creative time at his Bigton studio when he is not lecturing at the Shetland College at Gremista, or travelling to Europe with (or without) his students. 

My top favourite picture – swans’ flight –  was inspired by a recent trip to Vienna…  A regular visitor to Spiggie Loch as a visual artist or devoted angler, I was both surprised and amused to hear it on Sunday as Paul spoke of each charcoal on paper gigantic pictorial metaphors. 

Originally from the Black Country, Paul anchored his heart &  art  on this symbolic latitude where time and space are regulated by light and darkness in that perpetual dance of seasons.

However, as an islander, he too looks at the world in a unique perspective. 

And he works like a poet or a writer, with a pocket size sketchbook, to capture moments he will later reproduce on a gargantuan scale… 

Paul makes parallels between people and avian migration. His dreams transcend through circles… Black versus white.  

He constantly reminds us how mankind generates that poisoning world, itself pictured as a leitmotive throughout and in various ways, metaphors, as Paul reflects on each throughout that Sunday afternoon stroll in his presence.

Paul the environmentalist – politically engaged… Raged by a poisoning world, in which political disciples hide, such as those deduced by populism. His charcoal stick does not fail to challenge the viewer…

He nonetheless searches for lightness through nature, to find love and sensuality among geese, swans or starlings, Shetland’s commonest and yet captivating birds.

Sensuality expressed though the oneness of entangling whooper swans.

Paul very aptly entitled his exhibition a prayer for the healing of nations.


A must see. 🙂 

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Krásná (#wearewoman #3)

COMPASS HEAD BOOK COVER I owe her the back cover photograph of my book, a lifetime friendship on a plate, a well of laughters and shared moments of emotions…

 

We are woman, beautiful.

 

Any i Bryggen 17 June 2016 I met Aneta Lukzikova through Anita Orheim (see blog post “Vakker #wearewoman [3]“) over a decade ago. Like Anita, Aneta was then in academic transit and decided to establish her own “hame” on this latitude. Our friendship blossomed through time and shared slices of life. We earned each other’s trust and respect gracefully, travelled the length and breadth of our islands, and even crossed the sea last summer to reconvene with Anita on her homeground for a weekend of sheer happiness in and around Fana. I had promised Aneta a beer in Bergen, we did just that. Today, we know ourselves pretty much inside out.

Of this, I’m very proud. Forever grateful to have her friendship, her love and trust as a woman and a close friend, so close I can call her my Czech sister.

 

For you, dear Aneta, I am going to improvise you a poem as I’m typing,

 

We have travelled so many roads,

crossed many bridges,

sea, earth marks.

You have

listened and dried

so many blueprints from cold rain;

laughed at my face by

the White Wife,

helped me to

rise from

earth

and

mud…

We crossed the sea to

share a pint,

taste simple pleasures in Bryggen to reconvene with

our own clan made in Norge.

And every time

I needed

you,

dear Czech sister,

you offered me a hearth and smiles.

I am in awe of your pure

heart.

 

© Nat Hall 2017

 

 

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visitors – little did I know it would mean “home”

visitors rehearsal 28 apr 2017 “Nat, I challenge you to a short poem…” I still remember Chris’ words one fine evening at the Mareel CafĂ© in Lerwick during one memorable Open Mic’ Night in 2016.

At the time, little did I know those words would generate such a fabulous collaboration with Visitors – a trio of very talented singer/songwriters based in Shetland (till band member Chris Grant left last autumn for his Glasgow homeground with a mix bag of excitement and sadness…).

To the poet, writing for a band feels playful and self-indulgent.

Whilst band member Chris Grant has known my writing from 2012 through the National Theatre of Scotland’s Ignition project, fellow members Cha Johnson and Andy Kinnear have been exposed to my poetical world from the Shetland Open Mic Night sessions. When it came to their project as a band, they had some of my spoken words in mind for the purpose of one song when the opportunity arose. Whilst they were assembling an EP later named after the final lines of my short poem, I quickly scribbled a very short piece recollecting my “first time” as a then visitor to 60N. This recollection never left my heart and mind, so magical and powerful this very first experience felt, and became imprinted in my heart forever.

This I translated into words,

submitted to Chris, who immediately related to the piece. Perfect was his response. And left it like this, until he recorded me in a tiny office on his last day at work.

Although I had no idea of what was really happening, I later received words from Chris explaining me about Visitors’ plans and project. A bigger picture began to shape in my head. With Chris in Glasgow, I left the spoken word in good hands. Meanwhile, Shetland Times journalist and singer/songwriter Adam Guest penned an article in the islands’ weekly. More light on Visitors‘ work!

An EP to be launched in Shetland

So little did I know Visitors would launch their work at this year’s Shetland Folk Festival in South Nesting. News filtered gradually via all three members earlier this spring. I still remember Cha’s lovely words- both at Gutters’ Gaet and Andy’s… We all turned more excited about such launch! From Cha’s messages to the rehearsals at Islesburgh and Clairmont Place, I discovered the entire EP, tasted fabulous slices of life (as well as Andy’s newly improved home made chilli con carne!) in fabulous company; a wild ride in Andy’s car to listen to the CD newly arrived in his lair, and reconvened with Chris and Roo. IMG_4092 IMG_4093

On the night, 29 April 2017

VISITORS BANNER

Whilst Visitors had already invested the South Nesting Public Hall for the indispensable sound check, I joined in with the audience. Familiar and other faces lined up against the wall, ticket in hand. The air was crisp in a dry though overcast world… I left the comfort of my peerie buggy as soon as I saw my trio of artistes emerging from the building. Reunited on the night for the gig! Hugs, smiles and kind words filled our hearts.

da night ticket Visitors 29 apr 2017

south nesting hall queue 29 april 2017

Little did I realise the concert would be performed in a jam packed hall with other great bands following in our footsteps…

Visitors Live on stage 29 april for EP launch

Visitors live on stage, 29 April 2017 at the South Nesting Hall for the launch of the EP at the Shetland Folk Festival 2017.

And Chris invited me on stage to close the act, whilst reading those words I once scribbled about “little did I know this would mean home”. The act well, very well received by the audience on this fun night of performance. Maggie already released in iTunes. The rest of the EP to follow in the great digital constellation of the apple.

nordicblackbird april 2017 with Visitors.jpg Happy poet, humble and thanking you, dear Visitors for such an epic adventure 🙂 IMG_4112

Tattooed in my heart forever.

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vakker (#wearewoman #2) 

anita orheim work From Norway, West Norway, I COULD HAVE A TRIPTYCH of three beautiful women featured in today’s post – and they are rightly in my heart. Yet I choose the ONE who opened me that wonderful door to Norge, and this is obviously my friend and photographer Anita Orheim, now Perrone.

We are Woman, creative, beautiful.

Anita Orheim Perrone e- Our friendship feels ancestral as well as creative. And when I was asked to attend her wedding to François Perrone, read at the Fana kirke, my lens was also very active on that very magical day. Moment tattooed forever in my heart.

How long now have I known Anita? Photography connects us. Our story flang brand new doors wide open when Anita asked me to cover Norway Liberation Day 2010, celebrated for the very first time in Shetland, with Norwegian Royal representation via the Norwegian Coastguards & closer to her home, via NYBAKK,  the floating museum led by the Nybakk family, which in turn became part of “my Norskie Clan”. We shared so many slices of life since Scalloway, Lerwick, and Shetland…

As many folk say, the rest is history.

 

Please visit Anita’s photographic constellation under Anita Orheim Photography

 

Today, my “Norwegian sister” lives back home happily with François and their peerie man, Alvar.

Here, to celebrate her woman’s work, as a mother in her homeworld, a poem.

 

Le Petit Prince de Norvège

The one who stops looking up at the stars forgets.

He counts clementines at Yule time on a table fit for a prince, or

a dreamer;

give him a glass that will

allow Jupiter’s moons, or the

silky rings of Saturn shine in his eyes –

smallest of things,

single filed ants along a stem,

mayflies newly born at sunrise,

dust from Lyra, or comet hairs

enlight his mind.

Let him

lie down in the meadow where

grass grows high to home hoppers,

mimmick the blackbird,

feel the elk,

befriend a rose or a red fox…

Give him

goggles and leather gloves,

map & compass, coordinates to

avoid dunes in the desert.

Show him

the Moon, the way each waves shapes the heart stone*,

the way the sun clads earth spirits,

weaves green saris in winter skies –

teach him the songs from

auroras.

And if the bridge feels strong enough,

he’ll look at you when he’s afraid, and reach for the string of his kite.

The one who keeps looking at stars will

find his footprints in the

snow.

© Nat Hall 2017

Note:

* the “heart stone”= Kannesteinen Rock, from Oppedal, off Måløy.

 

 

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tribal

Every first Friday of March, as told by the tide, we gather, united by bond and fire, and we celebrate the return of the sun.

#smuha 2017, from Cunningsburgh, with burning at Mail Beach.

 

SMUHA Community 2017

SMUHA 2017 tribe

SMUHA 2017 Community spirit

viking SMUHA 2017 e-

 

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world tales


On Top of the World



After the rain,

three herring gulls on

chimney pots;

now

sun’s blazing

Anderson’s slates.

In

between

two rounds of

showers,

blackbird voices,

raw

arc-en-ciel. 

young maa



out of wharf, ripples & ruffle,

it comes to dip among

brown kelp;

bobs

up

&

down

water surface

and finds solace amid

islands,

where clouds

harness silver edge

tides… Where wings wrangle

herring gull pride.

Where they

come to

feed

at

present.

The Edge

Look at the edge of your own world.
Free your heart & feet from tarmac,

where gutters offer

no relief.

Untie your boat, grab your

own oars.

Hear the call of the

waterline,

everlasting song of rollers

melts in white

sand –

some call it a desert

island,

but to my heart,

it is music.

Either side of the shining

edge,

we find our prints tied around kelp:

on the dry side of the mirror,

men have wandered among knives and

white broken

shells spewed offerings;

so few can listen to the wind,

the song of seasons inside wings

of a kingdom made of

lush Land,

where the sun rests

after crimson.
I hear you

say,

“you’re a dreamer” –

“time is money to all of us.”
I say “throw your coins to a sea, paper to oblivious

limpets..

The world you live feeds from

despair, liars and lice;

they gave you dreams as

tasty bait.

Tied to a tree inside concrete,

sea rockets smell so alien…

We imagine resolutions

and yet

shackles

locked around feet,

with their keys kept inside

boardrooms, between

the

hands of

their makers –

make no mistake,

they will not give them easily;

magpies like anything

shiny.

This world I love has its

pure gems.
© Nat Hall 2017

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entente more than “cordiale” :-)

1917, somewhere in hell, the fabric of humanity and life

I smiled tonight as, scrolling down the “Reader” section of wordpress, I found a xmas post from fellow poet & blogger Jackdaw.

One hundred years ago, London and Paris were building that Entente Cordiale, from the ashes of centuries of political warfare that engulfed generations of men to their deaths via so many bloody battles. Even though distrust was/has always been de rigueur, the two old enemies had found common ground. The necessities of the alliance system had eventually prevailed in an early 20th century torn by imperialistic competition and jealousy. Ironic, when we know it all began with a family feud between cousins who, notably, did not seem to agree on their own “gallery of toys”… Incidentally, 1917 also resonates with the entry of the US in that war of attrition, as well as the collapse of the medieval tsarist Russia…

This image, so powerful, prompted a comment to Jackdaw’s post. How humane, powerful will to defy the absurdity of war (total or not)  and show the world nations do not “hate” one another… There is light in darkness.

2017… One hundred years later

Russia has her 21st century blend of tsar under a more capitalistic etiquette, dealing happily with the world in a nostalgic way… The US have a new leader looking towards such Russian counterpart… Writing a brand new page of history that – I dearly hope – will not plunge our planet into chaos as in the first half of the last century. London is on her way alone… Somehow I would like to think that today’s generations of men and teenagers will not end up in a patch of no man’s land filled with horrors and absurdity. My grand mother’s words still echo in my head, as I still hear her telling me, as a child, how lucky I was to be born under “the right star”. By this, she meant in a period of (relative) peace in our homeworld. I still want to believe it. And I am also reluctant to be sucked in a bipolar world again. I still remember die Grenze between East and West as a teenager on a school exchange in (then) West Germany back in 1983 and 1984. Much favour a united world in which people feel “home” without (too many) fears…

Thank you, dear Jackdaw, for such blogpost. What a kiss!

May the image be plastered, like W. Owen’s poem, Dulce et Decorum Est, on every town square, national parliament, school, embassy and the UN, both in Geneva and New York.

A soldier of the Machine Gun Corps in a sheepskin coat kissing a French farm-girl under a sprig of mistletoe. Hesdin, France, December, 1917. Merry Christmas to you all. Don’t get chapped lips from all that kissing.

via Christmas Kiss — City Jackdaw

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