Category Archives: irishness

Working-Class Heroes

Every morning, the same pavement.

Working-Class folk don’t wear medals, just a clone mask.

They feed the belly of the ship with such ardour, ore, mighty coal,

invisible on

upper deck, their eyes unknown,

left to silence…

Shackled to shovel and

furnace,

their only world,

fire -darkness, prisoner to

plates and rivets, air filled with smoke, soot and carbon –

the nemesis of pink champagne,

silk on pale skin, untouched

China.

Unaware of night and

iceberg, as

they fuel insatiable mouths; revel in rags, hail to the steam whilst the captain dines at

table with officers and

courtisanes.

They’ll never know the mundane world, but will perish with their own ship in the name of

blind Britannia.

Working-Class Heroes behind

masks, look at your hands bruised with

blisters – you are sole key to

the engine, the feisty

beast and

propeller

© Nat Hall 2020

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A Tale of Two Islands

You, in your corner of Antrim, where your sea jewel emerald, a giant heaved up a causeway in

a story black as basalt, hexagonal to crystalise wrath from ocean;

and yet too short to reach my shore. He never thought of a land bridge, since you fret at

Carrick-a-Reede,

planks and ropes, in suspension between two cliffs, where fulmars glide, cackle with pride – in that Northern Irish accent…

You should be dreaming in Glasgow.

Broch making in Hoswick

Here, we build brochs as watch towers from rounded stones to eye each movement from the sea.

Da Roost has declared us landlocked.

I made a fresh pot of veg soup with enough carrots, leek and kale; freed my coatrack from winter tales And polished taps to revive chrome…

A full spring clean I call redd-up.

I count minutes between two gusts, knot for windspeed around headlands where lights still blink and

refract hope…

Instead our world’s tied to bollards, silenced and still; locked inside docks, behind closed doors,

I too wish to forward the clock;

watch you sail past my island shore, as the sun rises in your eyes… Watch you glide across the pressgang, long corrugated corridor that reunites our words and smiles,

Instead, I listen to the wind…

What a start to the new decade, April and voar. Somebody unleashed a devil, a terrorist invisible that sweeps and snatches blindfolded…

And pray it spares you in Belfast.

© Nat Hall 2020

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2018

Phenomenal time in Northern Ireland’s Co. Antrim and Belfast, Oct. 2018, that crowned an amazing year.
Two days left (or thereabouts) before a brand new year dawns with its own brand of hope, anticipations, expectations as well as challenges and trials… On the 29th day of the twelfth month, a fresh breeze blows on the island. It is a time for reflections, that final look over one’s shoulder before a leap in the unknown.

2018 has proven an amazing year, filled with challenges and adventures of all kinds, reconvening with old friends whilst bonding with new ones. It has taken me, the seeker-wanderer, across seas to discover unchartered places within the Isles. For the first time, I set foot in Glasgow in spring – and discovered the magic of Northern Ireland’s  Co. Antrim & Belfast in October. How I loved meeting again with Chris and Roo whilst meeting for the first time (in the flesh) with poet & former Co-Editor from the Scottish Geopoetics Elizabeth Rimmer at Jim Ferguson’s book launch in Glasgow, as well as with Emma and fellow Shetland poet & graphic novelist Chris Tait at the Project Café. I would reconvene with Emma in Belfast in October. On both trips, I was also given the opportunity to share my own poetics and verse at the Project Café and the Sunflower respectively. Two great fun experiences where folk enjoyed selected poems from Compass Head.

2018 has been filled with challenges of many kinds – from translating an entire book (late Dec.- 30 March) to returning to studying whilst complementing my professional qualifications within education, now adding Edinburgh University to Oxford, Southampton and Université de Provence (Aug.- Nov.). If Georges Dif’s “Shetland” was a project that occupied many of my winter nights between late December and March, editing alongside Jonathan Wills continued till mid-April here at 60N whilst two fellow poet friends & authors Emma Van Woerkom and Andy Murray also added their critical eyes over the poetic side of Dif’s book. What a formidable teamwork it proved to be. We all raced against time to achieve it for the English version to be found on shelf at the Shetland Times’ Bookshop by July. Epic. 25,000 words or there about. Working without its original author proved the greatest challenge, and I can only hope Georges can only smile from the heavens. 

2018 has continued to let my writer’s work fly within both my writers’ groups – Lerwick & Westside – and places around the island that welcomes the spoken word. From Mareel’s Open Mic sessions to Fjara’s Singer-Songwriters, respectively hosted by friends & artistes Keirynn Topp and Gail Wiseman, but also at Lerwick’s The String, as hosted by Jordan Clark and also, within the sanctuary nurtured by Radina and Alan McKay at Soul Time throughout the year. Fantastic bubbles of humanity treasured in my heart. Delectable moments of pleasure. On a wider level, I was invited to contribute to the #patchworkpoem through my Federation of Writers (Scotland) which was broadcasted by Andy Jackson on National Poetry Day. Great fun and gracious thanks for mapping Shetland through my humble contribution. I always value inclusion. 🙂 

2018 homed an incredible summer of wonders and adventures under unparalelled blue, where I shared my passion with friends and kindred spirits – where I reconvened with my Norskie clan in style. Tattooed in my heart. I miss Norway, and Norway came to me.

2018 also celebrated the memory of Alex Cluness at this year’s Wordplay. This was the opportunity to salute the phenomenal work of Alex as a poet, but also as the “Father of Wordplay and Shetland Arts’  Trust’s main project has outlived him. For the occasion, friend, poet & author Alan Jamieson (RAJ) played MC at the Shetland Writers’ Celebration Night event with great flair, and he also conducted a brilliant Creative Masterclass at Bonhoga during that literary weekend. Memorable slices of life and creativity that awoke the pen in new directions. Fruitful writing that I later read at Wordplay’s closing event, the Open Mic’. RAJ smiled. What a fabulous weekend it proved to be. So happy to reconvene with both Alan and Rozeanne on such occasion.  2018 also commemorated the century of an Armistice that engulfed humanity into genocide and the National Theatre of Scotland allied with C.A. Duffy to pay homage to all the men sacrificed  in the Great War as Pages of the Sea. For the occasion, Lisa Ward invited me to read poetry at Ninian Sands. A very poignant experience. Thank you, Lisa and NTS. And as we descended back to the winter solstice, my school term eventually melted into a low December sun. Yule upon us, and the festive season kicked off with Singers-Songwriters’ Christmas Concert at Fjarå. Sadly, I had to curtail due to a double-booking, however, I honoured both. Thank you, dear Gail, for your kindness.  Two days away from a New Year, and I returned to Ninian Sands, my dear sand bridge, where the sand shifts on either side.Your shoormal looks peaceful at low tide, Christmas Day, a mere memory. Time to sample the now, reconvene with great friends, and share a slice of life. 2018 has been a fruitful year. May the forthcoming one keep you well and happy. 365 brand new pages I hope to fill with joy and brand new adventures! Happy Yuletide and New Year, everyone! 

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Mørkin (2)

I toy with the thought of
touching the Moon that
hangs out in
this dark blue sky;
and as
tide turns in
your favour, on that last weekend of
July,
I feel its pull, rolled up in
clouds.
I lit a tea light in your name, and
let the lantern on the deck, for
you to find me in
the dark,
mørke, mørkin, in murky night, where
the Moon shies here in
thin clouds, between my world and
summer tides – where Angle shades fly to the flame, where your voice vanishes with
night.

© Nat Hall

Sandwick, 26 July 2018.

 

Note: Mørkin, from the Norwegian, mørke, dark(ness)

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go hálainn (#wearewoman 5)

preening whoopers [2] 22 Oct 2017

We are woman, we are beautiful

When it comes to Irishness, the world is our oyster. So many magical voices, celebrated throughout the world. The ones you know are household names… And the list is by no means exhaustive. I could have selected a few that have really struck chords in my heart; but, there is one, one, anonymous, living and breathing by River Lagan, who devotes her time and care to vulnerable people, hence double-touched my heart.

Don’t ask me for a photograph, as I have yet to immortalise her smile, and, light in her eyes. Her name too remains anonymous, for it is wished this way.

So, for you, beautiful Irish one,

a first poem.

 

Homebird

 

Every rose hip has a meaning.

 

Of all the dreamers in

the world,

your

walled garden

has always been your sanctuary,

fog lit at night,

the orange

glow

I sometimes see here

inside mine…

The firecrest deep in your eyes.

In between lush and

Irish sky,

every

morning has a meaning, like

a tattoo on shoulder

blades; and

you wander between feeders;

behind the back of every leaf, there is a heart

ready to pounce, between

the rose and the

fuschia.

 

NH 2017

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