Tag Archives: poetry

Winter Haiku Strings

Tis the blog’s tenth anniversary and since we start in the dawn of the year, I would like to offer you a string of seasonal haiku penned within these past few years.

First light –
Two hooded crows
found breakfast at Fladdabister.
#haiku fae #60N #geopoetics

The edge –
samurai’s sword,
dawn redefined the horizon.
#haiku fae #60N #geopoetics

Crisp –
icicles clad every pavement,
Bressay bathes in pink & blue.
#haiku fae #60N #geooetics

Kirk –
an austere house biggit by man
to park their folk into one faith.
#haiku fae #60N

Happiness –
as magical as Geminids,
furtive shooting stars in winter.
#haiku fae #60N

Imbolc –
from indigo dawn to snowflakes,
Brigid’s spirit rises from ice.
#haiku fae #60N #geopoetics

Look at
our planet as a peach –
that wee layer right at the top
is where we walk…
#geopoetics fae #60N

——————

Ice Age

in absence of your human warmth,
I feel heart from wandering
wolf that
trudges through
silent snowflakes, still
framed icicles from a sky,
once forgotten
as they
touch down.
I
without
one
never makes 2.
Will be looking for
long shadows, howling echoes
around Yule, since I ran
away from the
pack.

Sandwick, 8 Dec 2013
—————————-

60N Yule

When sky awakes,
smell green of pine, cinnamon night,
Yule has its ghouls,
gales and gold
gifts.
#micropoetry fae #60N

———— Lerwick, 16 Dec 2013

Mother Night –
dreamer of
light,
clad inside lace,
whatever crescent of the moon.

-//————————– 20 Dec 2013

Upside down world –
icicles inside Everglades,
power from the polar vortex.
#haiku #geopoetics fae #60N

Arctic vortex –
Stalactites downtown
Manhattan,
the latest trend in media world.
#geopoetics fae #60N

Polar vortex –
16 km up in air,
where jet streams yield to 60N
#geopoetics fae #60N

—————–/————- 8 Jan 2014

WonderWorld

Who wants a world filled with silence and
empty
chairs, where
shadows hang coats on
slate roofs, and bold
divas sing to
slugs,
snails and
sniggering starlings on
starved snow?

Don’t tell me twice,

winter wanders like a brother
without socks, shoes or
wooly hat.
He’s
just aware of
my glowing green
solitude you too can glean on
every blade in a garden
left to wild gales.

——-///———–

Come to
Mareel when all is dark;
its gentle light
shines
through the surface of raindrops,
slides against panes of
icy glass,
as
music
feeds high moon and
tide – as she keeps
her voice in
a jar…
Cette
conversation de
l’absurde.

——————————- 8 Jan 2014

Winterlight 60N –
in between first light & pale blue,
fire Phoenix above Mousa.
#haiku fae #60N #geopoetics

—-11 Jan 2014

Bressay sprinkled with icicles,
blackbird hides –
a little closer to Norway.

— 17 Nov 2016

With seasonal greetings fae Nordicblackbird at 60N.


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2018

Phenomenal time in Northern Ireland’s Co. Antrim and Belfast, Oct. 2018, that crowned an amazing year.
Two days left (or thereabouts) before a brand new year dawns with its own brand of hope, anticipations, expectations as well as challenges and trials… On the 29th day of the twelfth month, a fresh breeze blows on the island. It is a time for reflections, that final look over one’s shoulder before a leap in the unknown.

2018 has proven an amazing year, filled with challenges and adventures of all kinds, reconvening with old friends whilst bonding with new ones. It has taken me, the seeker-wanderer, across seas to discover unchartered places within the Isles. For the first time, I set foot in Glasgow in spring – and discovered the magic of Northern Ireland’s  Co. Antrim & Belfast in October. How I loved meeting again with Chris and Roo whilst meeting for the first time (in the flesh) with poet & former Co-Editor from the Scottish Geopoetics Elizabeth Rimmer at Jim Ferguson’s book launch in Glasgow, as well as with Emma and fellow Shetland poet & graphic novelist Chris Tait at the Project Café. I would reconvene with Emma in Belfast in October. On both trips, I was also given the opportunity to share my own poetics and verse at the Project Café and the Sunflower respectively. Two great fun experiences where folk enjoyed selected poems from Compass Head.

2018 has been filled with challenges of many kinds – from translating an entire book (late Dec.- 30 March) to returning to studying whilst complementing my professional qualifications within education, now adding Edinburgh University to Oxford, Southampton and Université de Provence (Aug.- Nov.). If Georges Dif’s “Shetland” was a project that occupied many of my winter nights between late December and March, editing alongside Jonathan Wills continued till mid-April here at 60N whilst two fellow poet friends & authors Emma Van Woerkom and Andy Murray also added their critical eyes over the poetic side of Dif’s book. What a formidable teamwork it proved to be. We all raced against time to achieve it for the English version to be found on shelf at the Shetland Times’ Bookshop by July. Epic. 25,000 words or there about. Working without its original author proved the greatest challenge, and I can only hope Georges can only smile from the heavens. 

2018 has continued to let my writer’s work fly within both my writers’ groups – Lerwick & Westside – and places around the island that welcomes the spoken word. From Mareel’s Open Mic sessions to Fjara’s Singer-Songwriters, respectively hosted by friends & artistes Keirynn Topp and Gail Wiseman, but also at Lerwick’s The String, as hosted by Jordan Clark and also, within the sanctuary nurtured by Radina and Alan McKay at Soul Time throughout the year. Fantastic bubbles of humanity treasured in my heart. Delectable moments of pleasure. On a wider level, I was invited to contribute to the #patchworkpoem through my Federation of Writers (Scotland) which was broadcasted by Andy Jackson on National Poetry Day. Great fun and gracious thanks for mapping Shetland through my humble contribution. I always value inclusion. 🙂 

2018 homed an incredible summer of wonders and adventures under unparalelled blue, where I shared my passion with friends and kindred spirits – where I reconvened with my Norskie clan in style. Tattooed in my heart. I miss Norway, and Norway came to me.

2018 also celebrated the memory of Alex Cluness at this year’s Wordplay. This was the opportunity to salute the phenomenal work of Alex as a poet, but also as the “Father of Wordplay and Shetland Arts’  Trust’s main project has outlived him. For the occasion, friend, poet & author Alan Jamieson (RAJ) played MC at the Shetland Writers’ Celebration Night event with great flair, and he also conducted a brilliant Creative Masterclass at Bonhoga during that literary weekend. Memorable slices of life and creativity that awoke the pen in new directions. Fruitful writing that I later read at Wordplay’s closing event, the Open Mic’. RAJ smiled. What a fabulous weekend it proved to be. So happy to reconvene with both Alan and Rozeanne on such occasion.  2018 also commemorated the century of an Armistice that engulfed humanity into genocide and the National Theatre of Scotland allied with C.A. Duffy to pay homage to all the men sacrificed  in the Great War as Pages of the Sea. For the occasion, Lisa Ward invited me to read poetry at Ninian Sands. A very poignant experience. Thank you, Lisa and NTS. And as we descended back to the winter solstice, my school term eventually melted into a low December sun. Yule upon us, and the festive season kicked off with Singers-Songwriters’ Christmas Concert at Fjarå. Sadly, I had to curtail due to a double-booking, however, I honoured both. Thank you, dear Gail, for your kindness.  Two days away from a New Year, and I returned to Ninian Sands, my dear sand bridge, where the sand shifts on either side.Your shoormal looks peaceful at low tide, Christmas Day, a mere memory. Time to sample the now, reconvene with great friends, and share a slice of life. 2018 has been a fruitful year. May the forthcoming one keep you well and happy. 365 brand new pages I hope to fill with joy and brand new adventures! Happy Yuletide and New Year, everyone! 

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In memoriam #14-18now (2) 

War Flowers, penned shortly before #armistice100 and recorded at my favourite beach, before reading the entirely string of verse dedicated to #armistice2000 #LestWeForget #onnevousoubliepas 

​  
With gracious thanks to Lisa and Dereck for that moment. 


And with gracious thanks to Gail and Keirynn for your renewed homing my work and image. 

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je me souviens #14-18now

One hundred years ago, a small party of men gathered in a wagon inside a French forest somewhere in Picardy to stop madness and attrition, a futile butchery, unparalleled till then, agree to terms for an Armistice. Humanity defaced, filled with hurt, on its knees.

To those millions of innocents, victims who fell and died, I wrote a short poem four years ago, entitled


Of Flowers and Men

Little lead men
fell one by
 one
inside a field other than theirs, 
 where
 red flowers now flourish high -
scarlet to colour
a river to remind us
 there is 
danger
inside our walls.

Four years later, on that same month of November, I penned a string of verse to remember you all – irrespective of alliance, skin colour or religious denomination – because you were all human beings turned inhumane inside a theatre of death. You fell or you were shot, because you had beliefs.

On this occasion, the following verse is in your honour.

In memoriam, 14-18 Now

War Flowers
Time belongs to lush poppy fields. 
They walked by their millions in wet mud, 
France or Flanders, 
leather laces in No Man's Land, along with 
shells and barbwrire. 
Canary girls back in Clydebank or in Gretna 
manufactured what was to kill 
somebody's boy in a cornfield, or 
their own genes here on homeground... 
An assemblage of sacrifice in 
the name of an empire, country or king. 
They fell by millions in cold mud, 
furrow or field they never sowed - 
through earth layers, 
chromatic world recorded shell shock and their fears, 
humanity's blood in a flood. 
They rest by millions as poppies, 
pinned on thick tweed on some jacket - on 
photographs and cenotaphs, 
a sea of names on 
monuments, 
lost inside waves, 
crosses, headstones,
inside the flame from a candle, in 
every heart and every 
home.
© Nat Hall 2018    

Within an hour, I will join all those who remember them at my local beach – St Ninian’s Sands – and read poetry to those clad in a uniform as part of this project  #pagesfromthesea because I don’t forget. Later tonight, as part of this year’s edition of #shetlandwordplay (the annualbook festival in Lerwick), I will join in for the last event, the Open Mic and read both aloud, as part of a sequence dedicated to #14-18now.

Je ne vous oublie pas.   

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Mørkin (2)

I toy with the thought of
touching the Moon that
hangs out in
this dark blue sky;
and as
tide turns in
your favour, on that last weekend of
July,
I feel its pull, rolled up in
clouds.
I lit a tea light in your name, and
let the lantern on the deck, for
you to find me in
the dark,
mørke, mørkin, in murky night, where
the Moon shies here in
thin clouds, between my world and
summer tides – where Angle shades fly to the flame, where your voice vanishes with
night.

© Nat Hall

Sandwick, 26 July 2018.

 

Note: Mørkin, from the Norwegian, mørke, dark(ness)

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Skydiver

Six wonderful days in the great Scottish city of culture. 

Reconvening with friends, meeting old and new ones – treading on flagstones and cobbles uncharted till then…

Book launch, Open Mic’ reading… Now Compass Head introduced, well received and since well shelved in Renfrew Street. 


With gracious thanks to Christie Williamson and Hazel Frew for rolling the ball, Chris Tait for a great crack, Basil for homing the verse at tell it slant and orchestrating that marvellous night at the Project Café, and to E for being here all along. 


So lovely to meet up with Elizabeth Rimmer at the Clutha Bar for Jim Ferguson’s book launch and blending with Glasgow poets that same night.
So chuffed to share such precious slices of life with precious friends. 

Felt so welcomed at the Project Café as well as any public place treaded into. Glasgow shines through the folk who make the place!

Till my next visit, Sláinte, Glesga! 

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#worldpoetryday

With the Vernal Equinox, that sense of joy and revival, as Mother Earth awakes and grows deep in her bounty and belly, comes an invitation to create, celebrate, as today, Wednesday 21st of the third month, was chosen as our World Poetry Day. 

The chance to reconnect with ourselves as Mother Earth’s children, and allow creativity to flow like sap inside our souls.

It is exactly what happened this morning during Period 3 in the classroom with Fourth Year pupils who wished to practise their own creative writing skills through poetry. 

They asked me for the first theme, whilst they picked the second.

They sat down inside our world, and, with a few words of guidance, began to write their poetics. Not only happy to hint them into using their own senses, they asked me, the poet, to write my own.

Theme 1

The Rain

It drips and clops like

a metronome against time,

Clop, clop, clop, clop… 

that sense of Spring past Equinox, as they lash into their 

trillions, clones,

cold water unleashed from clouds;

aborted, unborn icicles,

unwanted so late inside March.

I hear them crash against windows, on every corner of

meadows, and feel them

drop inside the

warmth of my collar, as 

morning vanishes in

vain.

——–

Theme 2: 

The Beach

There isn’t a pebble in sight,

heart-shaped, 

polished by angry tides, 

riptides and rollers 

rolled in wrath

a jealous moon pulled & twisted.

But there are prints from

our own past, 

hundred of footprints in white sand

a gale will blow, obliterate through

hands of time, like

a school slate wiped by a child,

timetables & mathematics in

an attempt to unwind 

Pi.
NH 2018

————-

Now your turn to be creative and celebrate the spoken word on this fine day! 🙂 

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