Tag Archives: 60N

change

On the fourth day of the tenth month, I found a way to break my day, sit and obey my headteacher, as she encouraged us to celebrate #nationalpoetryday through the tannoy. To find, read or write a poem on such fine day.

My lunchtime turned so creative. My after-school behind splashed glass, here, at Mareel, to re-draft it and share with you.


And now, our star looks a beacon out of greyness, I have finished what I began.

This year’s National Poetry Day challenged the pen to the theme of change. Already, I contributed to my Federation of Writers (Scotland) by submitting a few lines to a massive collaborative poem which is to be read today, in Glasgow, I believe under the watchful eye and voice of former Makar Andy Jackson, the very man behind it all.

That peerie offshoot adds to the millions of poems written today to celebrate the spoken word.

So, Happy National Poetry Day 2018 fae da island in da far North, and enjoy Change. 🙂


Change


Open your eyes to a new day.

Ask me again,

… So, what is change?

Something exotic on your tongue,

say hello in a new 

language –

collect laces to please your heart,

lace up your shoes with

unkennt loops,

pick a new path to love pavements;

that biggest box of CaranD’Ache where 

colours burst out of pencils to

break the dullness of

Tarmac, 

allow you to grow from darkness.

Dare it,

         dare it, or

                        just die now –

harness your fears,

                 bite da bullet,

dare to step out on new cobbles,

light that new road that

needs beacons;

hands on

tight ropes,

               Carrick-a-Reede,

what you once dreamt,

                                 incidental.
© Nat Hall 2018

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Mørkin (2)

I toy with the thought of
touching the Moon that
hangs out in
this dark blue sky;
and as
tide turns in
your favour, on that last weekend of
July,
I feel its pull, rolled up in
clouds.
I lit a tea light in your name, and
let the lantern on the deck, for
you to find me in
the dark,
mørke, mørkin, in murky night, where
the Moon shies here in
thin clouds, between my world and
summer tides – where Angle shades fly to the flame, where your voice vanishes with
night.

© Nat Hall

Sandwick, 26 July 2018.

 

Note: Mørkin, from the Norwegian, mørke, dark(ness)

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wild

starlings in black n white

October, the month of heaven & grace

Marvellous moments of lightness, privileged times among paired swans, preening and sharing love in grace at last light… Statuesque haigries (herons) around our bays, the joy to reconvene with our beautiful Earth. I observe them from the distance, with that humble feeling, so intimate the moment. The light is soft, nearly sunset. The air is charged with tenderness and love in that autumnal sense of rawness…

Intimate. So privileged, I feel.

Sensual, magical.

This north end corner of Spiggie Loch gradually welcomes them back, as the Arctic winter dictates. They will flock in and preen, share a few weeds with a few ducks – gather on the shore for bathing and arrange their feathers, and roost by twos… A bit of love inside a world so few can taste.

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swallows

 

 

 

 

 

On the topic of migration, hirundines – the embodiment of summer – and swallows in particular have always captivated my heart. I remember them nesting under the roof in rue de la LibĂ©ration in Gisors as a child; and their return every year throughout life – wherever I have settled – remains magical.

Today I watch them return on the island, so far away from my grandmother’s home, and every time they rekindle that moment of discovery as a child… They fly from West Africa to reach us. Their journey feels incredible – travellers without papers across our northern hemisphere. They come to create the next generation – they have two homes, they are the product of two worlds, and they embody with so much grace many of us, humans, who have been blessed with more than one home…

A powerful allegory.

 

Here, to celebrate those amazing avian wanderers, a string of micropoetry, first written in French, then, translated in mirror.

 

Les hirondelles

1.

Furtives,

des anges habillés bleu et noir,

avec dans leurs yeux, du courage;

l’iris rivetĂ© au soleil, avides d’amour hors des nuages, sous

les génoises, elles font un voeu.

1.

Furtive,

they, angels clad in black & blue,

with courage in their eyes;

iris riveted to the sun, avid to love in cloudless skies, under

a roof they make a wish.

2.

Intrépides,

elles traversent déserts, champs et mers,

se confient aux cours d’eau, les chansons de la terre

pour retrouver enfin une once du berceau.

2.

Intrepid,

they fly across deserts, meadows and seas;

confide to waterways, the many earthly songs, to

find at last an ounce from home.

3.

Je les entends venir enfin,

leurs longues plumes dans mon ciel,

s’arrĂŞter  sur un fil de fer, entre iris et mur de pierres,

un rebord de gouttière,

la latitude de leurs ancĂŞtres.

3.

At last I hear them come,

their long feathers inside my sky,

to perch on a wire, in between iris and stone walls,

the edge of a gutter –

their ancestors’ latitude.

 

 

 

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maelstrom (or not)

water and headlandI am water, not the rock – I am able to flow instead of being eroded.

Powerful affirmation in a world that never teaches us to fall, but our ability to rise again and adapt, mend our bruises and scars, with time and sheer resilience, remains a strength in many of us. Life takes us to amazing places, a thought I very recently shared with a close friend – sometimes, totally unexpected, with their areas of “shimmering” and “dark” areas… The fear of the unknown, the dark lands with its own pitfalls and question marks – paths littered with both flowers and pot holes, sometimes deep. Irrespective of all this, we make our own choices, and, when trusting our own decisions, select the path ahead. Because we dare to take a risk and our eagerness to see the light will act as a magnet. We, journey folk through our lives, will use our boots and hearts well. To adapt in a world in perpetual motion, with its own sudden twists and turns, sometimes out of our own jurisdiction, is key to survival, living. We can at times lose track of the compass – our own sense of direction – however, it is our own ability to steer our own boat and free that sail – be resourceful, innovative in our own sense of self and trustfulness.

At different stages in our lives, we shall reach crossroads; a change of wind that may define a change of current. That’s when our compass tell us of change to come. We are living in extraordinary times, with others taking all kinds of decisions on our behalf. Again, our survival senses that need to re-assess our current position and, with wisdom and trust in the water, will help us find and write a course in life that will take us away from a maelstrom that can feel dangerous or too dark to our taste. This journey may feel treacherous, it is however necessary to find ourselves in calmer waters, because we simply need it.

And yet, I need headlands, and lighthouses.

In the kingdom named Animalia, we are, by definition, land mammals. This may make many of you smile… But is it a fact. And I am with a passionate sense of place, solid, with a beacon that reminds my being and spirit where “home” is. Because we make it where it is. Home, that concept – feeling more than a place when one comes to think of it – can be reached, eventually. For nearly two decades, I have experienced the joy of such feeling, and rooting up like thrift, or sea rocket, by the edge of the water. A poet friend once confessed to me how “fortunate” I was to reach such el dorado, feeling of home, for she was still searching for it. Being born in one place on Earth does not necessarily defines it automatically as home. Far from it, as we have neither chose it in the first nor do we have necessarily have to simply “get on with it” and die where were once born. Some of us will feel a pull from a far away land… Yes we turn back into what our ancestors were, nomadic in our minds and hearts. We were made sedentary by politics imposed by some elite in pursuit no other than materialistic, or sheer wish to control us – where we are, what we do, what is expected of us as contributors to their world (not ours).

I believe in bettering myself whilst contributing to the community in which I have settled. Important as it will define my sense of assimilation within such community, hence, feeling home. I am the water, not the rock, and adapting to where I anchor my mind and heart feels paramount. Enriching the self whilst enriching others with a different culture. A two-way process in a multi-cultural world, or island. My own island where I live has been subjected to this throughout history, as it is bathing in both a sea and an ocean. Nomads in search of their own treasure island mingling, blending with natives to contribute to the fabric of a much more open society. A blessing and a powerful feeling.

My own beacon still shines very bright on top of that headland. However, I have reached others that feel equally powerful in their luminosity, hence defining and accepting in my head the notions of hame, Heim, home in an effort to avoid losing either partial or complete track of the compass. From the moment I chose to leap out and make my life an adventure, as encouraged by my grandmother (who always believed in me) I have begun to believe much more deeply this is a wonderful privilege to be able to have more than one beacon. I have felt and found myself in a couple of treacherous types of maelstrom in the past half decade, but, with the love of support of what I consider my kinsfolk, soul family, as well as all those who deeply embrace me as a human being, have helped me to flow again as I naturally do it.

After all, I am the water, not the rock. 

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Hiroshima

No siren or red flag,

high from blue sky without warning.

I should have read each 

little sign, but

June began

bright, so

hazy – 

bluebells 

untouched in the garden,

air filled with 

     song from summer birds –

curlews, skylarks and

                        bold blackbirds.

In between Lino and floorboards,

our frantic feet would

slide through time;

and imagined 

                yours on tarmac about to

                       to leap out through

             thick clouds.

High from

blue sky without 

warning,

one 

     single ring,

                your frantic voice,

                      shaped one single cloud

champignon,

          and felt that bright light,

                       blasted heart –

one final blow without 

warning. 

Nat Hall 2017

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outcry

It’s all about adding and substracting… In the artist’s own words.

Paul Bloomer’s latest exhibition ar the Shetland Museum & Archives in Lerwick, Scotland, UK, feels an epic saga in charcoal, cladding the whitest of walls inside da Gadderie, that non-static space devoted to the muable world.

The huge pictures felt they had been tailored to perfection. Paul needs to create his own creative time at his Bigton studio when he is not lecturing at the Shetland College at Gremista, or travelling to Europe with (or without) his students. 

My top favourite picture – swans’ flight –  was inspired by a recent trip to Vienna…  A regular visitor to Spiggie Loch as a visual artist or devoted angler, I was both surprised and amused to hear it on Sunday as Paul spoke of each charcoal on paper gigantic pictorial metaphors. 

Originally from the Black Country, Paul anchored his heart &  art  on this symbolic latitude where time and space are regulated by light and darkness in that perpetual dance of seasons.

However, as an islander, he too looks at the world in a unique perspective. 

And he works like a poet or a writer, with a pocket size sketchbook, to capture moments he will later reproduce on a gargantuan scale… 

Paul makes parallels between people and avian migration. His dreams transcend through circles… Black versus white.  

He constantly reminds us how mankind generates that poisoning world, itself pictured as a leitmotive throughout and in various ways, metaphors, as Paul reflects on each throughout that Sunday afternoon stroll in his presence.

Paul the environmentalist – politically engaged… Raged by a poisoning world, in which political disciples hide, such as those deduced by populism. His charcoal stick does not fail to challenge the viewer…

He nonetheless searches for lightness through nature, to find love and sensuality among geese, swans or starlings, Shetland’s commonest and yet captivating birds.

Sensuality expressed though the oneness of entangling whooper swans.

Paul very aptly entitled his exhibition a prayer for the healing of nations.


A must see. 🙂 

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