Tag Archives: island

Bressay

Lerwick Harbour [1]It takes a day to meet and share an adventure.

In anticipation to meeting a kindred spirit at the Bressay Ferry Terminal – en route to the most westerly point of the island – came that invisible bridge between two harbours, tied by one stretch of water, our very Bressay Sound. From April to September, many seaworthy crafts come to anchor or to moor in our waters… And Leirna criss-crosses like a spider.

Bressay, the great sheltering whale-shaped island just opposite our only town, stands between two worlds I love.

My visiting friend, who  emerged from the ferry with two Bressay residents I know so well, had freshly arrived from this other side of the North Sea, via Bergen. She too was ready for a great adventure, in the hope to see an otter among our many local wild treasures. As I waited for her on the Lerwick side, came a poem.

 

Bressay

 

Alexandra Wharf on a Sunday afternoon, where

feet wander between islands, and

boats are tied to

known

bollards;

I look at you from

my town side, between

the Knab & Kebister.

You, inside

waves,

in

between Hay’s Dock and Bryggen, where

clouds fly past, white,

oblivious; where

fishermen anchored in hords to

fill barrels with

scales and

salt,

silver darlings –

we share the sea, wharves,

dark box beds, cracks in floorboards,

lead diamond shapes from old windows, as two towns rose,

rust, labyrinth of wood and salt,

two stories tied where

folk wander off

a ferry and

imprint their lives on tarmac… And still

remember old cobbles.

I’m still counting

ripples and

tides,

ink and blotches from well-kept books somebody wrote on

Bergen side –

countless columns,

whole salesman’s world.

But you stand firm against each gale,

shelter my side of the

harbour,

and

when

I look at your

portside, I see the meadows of summer,

the great white whale

clad inside

snow.

NH, 2017

 

Oh, we saw that otter in Sandness, and savoured cake, as we sat on the edge of the pier.

dratsie at Melby 13 Aug 2017

 

 

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swallows

 

 

 

 

 

On the topic of migration, hirundines – the embodiment of summer – and swallows in particular have always captivated my heart. I remember them nesting under the roof in rue de la Libération in Gisors as a child; and their return every year throughout life – wherever I have settled – remains magical.

Today I watch them return on the island, so far away from my grandmother’s home, and every time they rekindle that moment of discovery as a child… They fly from West Africa to reach us. Their journey feels incredible – travellers without papers across our northern hemisphere. They come to create the next generation – they have two homes, they are the product of two worlds, and they embody with so much grace many of us, humans, who have been blessed with more than one home…

A powerful allegory.

 

Here, to celebrate those amazing avian wanderers, a string of micropoetry, first written in French, then, translated in mirror.

 

Les hirondelles

1.

Furtives,

des anges habillés bleu et noir,

avec dans leurs yeux, du courage;

l’iris riveté au soleil, avides d’amour hors des nuages, sous

les génoises, elles font un voeu.

1.

Furtive,

they, angels clad in black & blue,

with courage in their eyes;

iris riveted to the sun, avid to love in cloudless skies, under

a roof they make a wish.

2.

Intrépides,

elles traversent déserts, champs et mers,

se confient aux cours d’eau, les chansons de la terre

pour retrouver enfin une once du berceau.

2.

Intrepid,

they fly across deserts, meadows and seas;

confide to waterways, the many earthly songs, to

find at last an ounce from home.

3.

Je les entends venir enfin,

leurs longues plumes dans mon ciel,

s’arrêter  sur un fil de fer, entre iris et mur de pierres,

un rebord de gouttière,

la latitude de leurs ancêtres.

3.

At last I hear them come,

their long feathers inside my sky,

to perch on a wire, in between iris and stone walls,

the edge of a gutter –

their ancestors’ latitude.

 

 

 

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maelstrom (or not)

water and headlandI am water, not the rock – I am able to flow instead of being eroded.

Powerful affirmation in a world that never teaches us to fall, but our ability to rise again and adapt, mend our bruises and scars, with time and sheer resilience, remains a strength in many of us. Life takes us to amazing places, a thought I very recently shared with a close friend – sometimes, totally unexpected, with their areas of “shimmering” and “dark” areas… The fear of the unknown, the dark lands with its own pitfalls and question marks – paths littered with both flowers and pot holes, sometimes deep. Irrespective of all this, we make our own choices, and, when trusting our own decisions, select the path ahead. Because we dare to take a risk and our eagerness to see the light will act as a magnet. We, journey folk through our lives, will use our boots and hearts well. To adapt in a world in perpetual motion, with its own sudden twists and turns, sometimes out of our own jurisdiction, is key to survival, living. We can at times lose track of the compass – our own sense of direction – however, it is our own ability to steer our own boat and free that sail – be resourceful, innovative in our own sense of self and trustfulness.

At different stages in our lives, we shall reach crossroads; a change of wind that may define a change of current. That’s when our compass tell us of change to come. We are living in extraordinary times, with others taking all kinds of decisions on our behalf. Again, our survival senses that need to re-assess our current position and, with wisdom and trust in the water, will help us find and write a course in life that will take us away from a maelstrom that can feel dangerous or too dark to our taste. This journey may feel treacherous, it is however necessary to find ourselves in calmer waters, because we simply need it.

And yet, I need headlands, and lighthouses.

In the kingdom named Animalia, we are, by definition, land mammals. This may make many of you smile… But is it a fact. And I am with a passionate sense of place, solid, with a beacon that reminds my being and spirit where “home” is. Because we make it where it is. Home, that concept – feeling more than a place when one comes to think of it – can be reached, eventually. For nearly two decades, I have experienced the joy of such feeling, and rooting up like thrift, or sea rocket, by the edge of the water. A poet friend once confessed to me how “fortunate” I was to reach such el dorado, feeling of home, for she was still searching for it. Being born in one place on Earth does not necessarily defines it automatically as home. Far from it, as we have neither chose it in the first nor do we have necessarily have to simply “get on with it” and die where were once born. Some of us will feel a pull from a far away land… Yes we turn back into what our ancestors were, nomadic in our minds and hearts. We were made sedentary by politics imposed by some elite in pursuit no other than materialistic, or sheer wish to control us – where we are, what we do, what is expected of us as contributors to their world (not ours).

I believe in bettering myself whilst contributing to the community in which I have settled. Important as it will define my sense of assimilation within such community, hence, feeling home. I am the water, not the rock, and adapting to where I anchor my mind and heart feels paramount. Enriching the self whilst enriching others with a different culture. A two-way process in a multi-cultural world, or island. My own island where I live has been subjected to this throughout history, as it is bathing in both a sea and an ocean. Nomads in search of their own treasure island mingling, blending with natives to contribute to the fabric of a much more open society. A blessing and a powerful feeling.

My own beacon still shines very bright on top of that headland. However, I have reached others that feel equally powerful in their luminosity, hence defining and accepting in my head the notions of hame, Heim, home in an effort to avoid losing either partial or complete track of the compass. From the moment I chose to leap out and make my life an adventure, as encouraged by my grandmother (who always believed in me) I have begun to believe much more deeply this is a wonderful privilege to be able to have more than one beacon. I have felt and found myself in a couple of treacherous types of maelstrom in the past half decade, but, with the love of support of what I consider my kinsfolk, soul family, as well as all those who deeply embrace me as a human being, have helped me to flow again as I naturally do it.

After all, I am the water, not the rock. 

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vakkert (#wearewoman #2) 

anita orheim work From Norway, West Norway, I COULD HAVE A TRIPTYCH of three beautiful women featured in today’s post – and they are rightly in my heart. Yet I choose the ONE who opened me that wonderful door to Norge, and this is obviously my friend and photographer Anita Orheim, now Perrone.

We are Woman, creative, beautiful.

Anita Orheim Perrone e- Our friendship feels ancestral as well as creative. And when I was asked to attend her wedding to François Perrone, read at the Fana kirke, my lens was also very active on that very magical day. Moment tattooed forever in my heart.

How long now have I known Anita? Photography connects us. Our story flang brand new doors wide open when Anita asked me to cover Norway Liberation Day 2010, celebrated for the very first time in Shetland, with Norwegian Royal representation via the Norwegian Coastguards & closer to her home, via NYBAKK,  the floating museum led by the Nybakk family, which in turn became part of “my Norskie Clan”. We shared so many slices of life since Scalloway, Lerwick, and Shetland…

As many folk say, the rest is history.

 

Please visit Anita’s photographic constellation under Anita Orheim Photography

 

Today, my “Norwegian sister” lives back home happily with François and their peerie man, Alvar.

Here, to celebrate her woman’s work, as a mother in her homeworld, a poem.

 

Le Petit Prince de Norvège

The one who stops looking up at the stars forgets.

He counts clementines at Yule time on a table fit for a prince, or

a dreamer;

give him a glass that will

allow Jupiter’s moons, or the

silky rings of Saturn shine in his eyes –

smallest of things,

single filed ants along a stem,

mayflies newly born at sunrise,

dust from Lyra, or comet hairs

enlight his mind.

Let him

lie down in the meadow where

grass grows high to home hoppers,

mimmick the blackbird,

feel the elk,

befriend a rose or a red fox…

Give him

goggles and leather gloves,

map & compass, coordinates to

avoid dunes in the desert.

Show him

the Moon, the way each waves shapes the heart stone*,

the way the sun clads earth spirits,

weaves green saris in winter skies –

teach him the songs from

auroras.

And if the bridge feels strong enough,

he’ll look at you when he’s afraid, and reach for the string of his kite.

The one who keeps looking at stars will

find his footprints in the

snow.

© Nat Hall 2017

Note:

* the “heart stone”= Kannesteinen Rock, from Oppedal, off Måløy.

 

 

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world tales


On Top of the World



After the rain,

three herring gulls on

chimney pots;

now

sun’s blazing

Anderson’s slates.

In

between

two rounds of

showers,

blackbird voices,

raw

arc-en-ciel. 

young maa



out of wharf, ripples & ruffle,

it comes to dip among

brown kelp;

bobs

up

&

down

water surface

and finds solace amid

islands,

where clouds

harness silver edge

tides… Where wings wrangle

herring gull pride.

Where they

come to

feed

at

present.

The Edge

Look at the edge of your own world.
Free your heart & feet from tarmac,

where gutters offer

no relief.

Untie your boat, grab your

own oars.

Hear the call of the

waterline,

everlasting song of rollers

melts in white

sand –

some call it a desert

island,

but to my heart,

it is music.

Either side of the shining

edge,

we find our prints tied around kelp:

on the dry side of the mirror,

men have wandered among knives and

white broken

shells spewed offerings;

so few can listen to the wind,

the song of seasons inside wings

of a kingdom made of

lush Land,

where the sun rests

after crimson.
I hear you

say,

“you’re a dreamer” –

“time is money to all of us.”
I say “throw your coins to a sea, paper to oblivious

limpets..

The world you live feeds from

despair, liars and lice;

they gave you dreams as

tasty bait.

Tied to a tree inside concrete,

sea rockets smell so alien…

We imagine resolutions

and yet

shackles

locked around feet,

with their keys kept inside

boardrooms, between

the

hands of

their makers –

make no mistake,

they will not give them easily;

magpies like anything

shiny.

This world I love has its

pure gems.
© Nat Hall 2017

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belle (#wearewoman #1) 

les-coquelicots-by-isabelle-foriat

We are woman, we are beautiful

How I love the way she paints those flowers, poppies, coquelicots, as she knows them in Provence.

In first #wearewoman post, I am celebrating  lifelong friend I met in 1990, in transit between two life chapters, en route north, beyond the horizon…

Her name is Isabelle Garnier Foriat.

isa-foriat-restauratrice-de-tableaux

Isabelle Foriat

Sensitive eye, accurate, meticulous in every sense of her iris,hand and brush… Please click on the two following links, ELLIA, the painter’s constellation, and ATELIER PATRIMONIUM, where the artist turned saviour of artworks.

Every visit weighs all its gold.  We reconvene at spring by the shores of River Durance. Our friendship flows by Les Moulins.

 

I recall a poem I dedicated to the artist. Initially written in French back in 2003 and available online at Poésie Française.

 

Pour toi, Isa la Belle, en attendant de te rerouver dans ta constellation.

 

Regards de peintre

A Isa, avec tendresse.

Cézanne, écoute :
Le Lubéron s’est éveillé –
Maître Foriat,
Isa la belle
A fait jaillir
De ses palettes
Un pic épeiche,
Un âne bleu –
Dans la chaleur du vent,
Ses pinceaux sont encrés ;
Dans un panier de pêches
Tout son génie est né.
Coquelicots,
Cyclamen,
Iris ou fleurs d’amandiers,
Entre Haute-Loire
Et Durance,
Mont Mezenc
Et Sainte Victoire
Se sont comptés fleurette…
Pommes d’amour
Ou coloquintes,
Ses mains de peintre
Ont enfanté
La magie des couleur,
Tout un plaisir
Des yeux,
Bleutés par l’huile,
Ou l’aquarelle –
Dans ses regards
De peintre,
Crue luminosité.

© Nat Hall 2003

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in my own words…

 I write because I have things to say. When I don’t, I listen to the world – the wind, the ocean, birds and auroras – and I look up to the stars. The onpaper-and-wordse who stops looking at them forgets. The one who keeps looking at the stars will find his/her footprints in he snow. I live on an extraordinary island that feeds my spirit and imagination. Come and discover my journey, as I have lived my life with a compass in my head.

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