Category Archives: birds

treasure islands

img_6439

Love my homeworld, and shared it with five intrepid explorers.

Here it is, in a poetic form.

A Day among Birds

I felt the sea today,

harnessed my

heart to

wave

level.

Gannets,

gannets, gannets filled

my sky – solan,

havsule,

a sea of wings in island blue above

my eyes, like a painting or

magic swarm

morning had flushed off in

a dream…

My memory now

filled with salt they call

spindrift – today I felt

treasure islands.

NH 2017

Photos at my Instagram (@nordicblackbird)

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swallows

 

 

 

 

 

On the topic of migration, hirundines – the embodiment of summer – and swallows in particular have always captivated my heart. I remember them nesting under the roof in rue de la Libération in Gisors as a child; and their return every year throughout life – wherever I have settled – remains magical.

Today I watch them return on the island, so far away from my grandmother’s home, and every time they rekindle that moment of discovery as a child… They fly from West Africa to reach us. Their journey feels incredible – travellers without papers across our northern hemisphere. They come to create the next generation – they have two homes, they are the product of two worlds, and they embody with so much grace many of us, humans, who have been blessed with more than one home…

A powerful allegory.

 

Here, to celebrate those amazing avian wanderers, a string of micropoetry, first written in French, then, translated in mirror.

 

Les hirondelles

1.

Furtives,

des anges habillés bleu et noir,

avec dans leurs yeux, du courage;

l’iris riveté au soleil, avides d’amour hors des nuages, sous

les génoises, elles font un voeu.

1.

Furtive,

they, angels clad in black & blue,

with courage in their eyes;

iris riveted to the sun, avid to love in cloudless skies, under

a roof they make a wish.

2.

Intrépides,

elles traversent déserts, champs et mers,

se confient aux cours d’eau, les chansons de la terre

pour retrouver enfin une once du berceau.

2.

Intrepid,

they fly across deserts, meadows and seas;

confide to waterways, the many earthly songs, to

find at last an ounce from home.

3.

Je les entends venir enfin,

leurs longues plumes dans mon ciel,

s’arrêter  sur un fil de fer, entre iris et mur de pierres,

un rebord de gouttière,

la latitude de leurs ancêtres.

3.

At last I hear them come,

their long feathers inside my sky,

to perch on a wire, in between iris and stone walls,

the edge of a gutter –

their ancestors’ latitude.

 

 

 

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outcry

It’s all about adding and substracting… In the artist’s own words.

Paul Bloomer’s latest exhibition ar the Shetland Museum & Archives in Lerwick, Scotland, UK, feels an epic saga in charcoal, cladding the whitest of walls inside da Gadderie, that non-static space devoted to the muable world.

The huge pictures felt they had been tailored to perfection. Paul needs to create his own creative time at his Bigton studio when he is not lecturing at the Shetland College at Gremista, or travelling to Europe with (or without) his students. 

My top favourite picture – swans’ flight –  was inspired by a recent trip to Vienna…  A regular visitor to Spiggie Loch as a visual artist or devoted angler, I was both surprised and amused to hear it on Sunday as Paul spoke of each charcoal on paper gigantic pictorial metaphors. 

Originally from the Black Country, Paul anchored his heart &  art  on this symbolic latitude where time and space are regulated by light and darkness in that perpetual dance of seasons.

However, as an islander, he too looks at the world in a unique perspective. 

And he works like a poet or a writer, with a pocket size sketchbook, to capture moments he will later reproduce on a gargantuan scale… 

Paul makes parallels between people and avian migration. His dreams transcend through circles… Black versus white.  

He constantly reminds us how mankind generates that poisoning world, itself pictured as a leitmotive throughout and in various ways, metaphors, as Paul reflects on each throughout that Sunday afternoon stroll in his presence.

Paul the environmentalist – politically engaged… Raged by a poisoning world, in which political disciples hide, such as those deduced by populism. His charcoal stick does not fail to challenge the viewer…

He nonetheless searches for lightness through nature, to find love and sensuality among geese, swans or starlings, Shetland’s commonest and yet captivating birds.

Sensuality expressed though the oneness of entangling whooper swans.

Paul very aptly entitled his exhibition a prayer for the healing of nations.


A must see. 🙂 

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world tales


On Top of the World



After the rain,

three herring gulls on

chimney pots;

now

sun’s blazing

Anderson’s slates.

In

between

two rounds of

showers,

blackbird voices,

raw

arc-en-ciel. 

young maa



out of wharf, ripples & ruffle,

it comes to dip among

brown kelp;

bobs

up

&

down

water surface

and finds solace amid

islands,

where clouds

harness silver edge

tides… Where wings wrangle

herring gull pride.

Where they

come to

feed

at

present.

The Edge

Look at the edge of your own world.
Free your heart & feet from tarmac,

where gutters offer

no relief.

Untie your boat, grab your

own oars.

Hear the call of the

waterline,

everlasting song of rollers

melts in white

sand –

some call it a desert

island,

but to my heart,

it is music.

Either side of the shining

edge,

we find our prints tied around kelp:

on the dry side of the mirror,

men have wandered among knives and

white broken

shells spewed offerings;

so few can listen to the wind,

the song of seasons inside wings

of a kingdom made of

lush Land,

where the sun rests

after crimson.
I hear you

say,

“you’re a dreamer” –

“time is money to all of us.”
I say “throw your coins to a sea, paper to oblivious

limpets..

The world you live feeds from

despair, liars and lice;

they gave you dreams as

tasty bait.

Tied to a tree inside concrete,

sea rockets smell so alien…

We imagine resolutions

and yet

shackles

locked around feet,

with their keys kept inside

boardrooms, between

the

hands of

their makers –

make no mistake,

they will not give them easily;

magpies like anything

shiny.

This world I love has its

pure gems.
© Nat Hall 2017

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wheel of life

hairst b and w.jpg

September, month of smiles and tears.

Yesterday, I congragated with friends and fellow writers from the Westside as well as the Waas community to say agoodbye to one of us. I loved the way his son spoke of my friend, and the way Janet somewhat managed to conceal some of her grief. The service was very poignant. I, among so many of us, will miss the good doctor who animated our monthly friday nights in Weisdale, as well as the many facets of everyone who was connected to his life. But he lives in our hearts, and his writings testify the life journey of a very brave, adventurous, life and children loving man. Rest in peace, Robin.

September, change of light.talking sky in Hairst.jpg

Weeks fly like lit gun powder; fridays tear down the pages of our almanacs like a develish, untamed child too eager to rid of school days. And the sky follows suite. Little have I noticed sunsets and sunrises shifted on the the great cosmic clock… That daylight had begun to shrink. The island now unveils those autumnal hues.  A more difuse light now clads everything on the island. The sky awaken and talks again.  Whereas swans are starting to flock at Spiggie, others are thinking to go… Northern wheatears, pied wagetails and meadow pipits, together with a few swallows still grace our fence posts, road verges and fields… Though they too will depart from our shores and let others replace them for the darker months ahead.

September, trade of wings. young wheatear.jpg

That juvenile northern wheatear will home itself south of my eyes for a few months, should it survive that great epic maiden flight south. I feel somewhat eager to reconvene with our winter visitors, whilst already marvelling at eclipse or winter plumage from some of our local avian friends. Guillemots certainly are noticeable from Gutters’ Gaet or Bressay Sound.  And if observation feels rather limited during weekdays, the odd visit to harbours, lochs, fields, voes and wicks (bays) rekindles that pleasure.

mute-swans

And as nothing remains the same, September will vanish in flames, and let October take over. With the tenth month, I too will trade land and migrate for precious time to the other side side of he North Sea, as I will reconvene with friends and fjords. That second collection of verse demands so, as my heart does.

With October, the more prominent return of darkness… And the almanac will obey the laws of the universe.

IMG_2854

 

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reviewing jackdaw’s songs of the north

img_8071Out of darkness, the bleakest point from the island, came cobbled thoughts, a flash of ink blended with salt – now nights have cleared, here comes my humble impressions of jackdaw’s blend of geopoetics inside his début collection, Heading North.

“Heading North”, by Andrew James Murray, is the second volume from Nordland Publishing’s Song of the North Series. Its author defines himself as a northern guy with a northern accent and attitude, yet attracted to even more northern latitudes, landscapes and who follows in the tradition of both geographical and inner landscapes – bleaker in places, mysterious and remote. His journey takes us from the comfort of his familiar Manchester world to the Ring of Brodgar on a far away archipelago bathed by both a sea and an ocean, via a myriad of known & unknown places – Berlin, Prague to the cobbled streets of Stromness. But it also takes us across gritty and sometimes wonderfully chiselled inner scapes.

It all begins at midnight in summer.

Blind to great masses / that dance in dark orbits. / And a soft, summer wind. Midnight, July.

There is game of light and dark as poems juxtapose the poet’s mood and sense of place. From the Spanish Hills to Backyard, we meander through light shafts at will to find ourselves in the scarce sunlight.

There is elegance in simplicity,

The sunflower / grows alone,/ […] and a penchant for flattery. Sunflower

And there comes the jackdaw.

The one robed in capes / swooping first over parched soil / and shrivelled roots – from Storm Coming.

Poetics scapes towering contrasts, I love the allieration from Row Mojo,

the bleak blushes of dusk, and from sensuality we find ourselves drinking beyond oblivion, sometimes eating death, tasting ash, eating a father. Brutal and yet poetical.

We are tossed at sea like guillemots inside tides; we know we are heading north. That’s when the zenith turns to twilight. From the dockland to the ocean to reach the realms of the northern lands. As we progress throgh the poet’s journey, we wander though dark lands. And then we hit winter, as we reach ravaged, savage scapes & its dwellers, the crows.

Yet we are tossed between seasons, as we are drawn to the blackbird that emerges with exquisite sensuality, songstress of the twilight / I am lost in your song.

I am sensitive to the poet’s observation of his surroundings, real or not. The raw beauty of a savage sky, in this rugged hour, / a low inter sun / glazes soft… From Savage Sky.

A solitary road, cobbled, winding, / […] engineered perhaps, to break the tumult / of wind and sea … From Stromness. I believe George MacKay Brown would have smiled.

Without a question or a doubt, Andrew James Murray’s poetic collection certainly encompasses key elements of geopoetical dimension, and gives the reader a sense of north. His quest took him as high as Orkney. Elegant in places, harsh and chiselled with flair and savagery in others, Heading North is an invitation to beauty. Very much recommended.

Merci pour ta poésie, mon ami :-).

Jackdaw sings with corvids, the rawness of a northern song, and a blackbird.

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fluttering (1)

 

12933134_1730950360525488_8546018913097351899_nPlease mark a date in your diary, Compass Head, available on Amazon, will be celebrated at the Shetland Library in Lerwick on Friday 20 May 2016.

We – the poet, our Shetland Librarians and friendshave the beginning of a plan.

More to come, as dusk slides into a starry night.

 

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