Tag Archives: hall

Pot-au-feu

Pot-au-feu is a traditional French dish my grand mother cooked through the crucial seasons of my early childhood.

Pot-au-feu

Stock memories inside a pot

wide, deep enough to

let the marrow from

the bone melt and

flavour what

you

picked up from

the garden,

what you harvested through

the years –

sprinkle with salt, pepper and

thyme,

tie-in fresh parsley and

bay leaves,

nail them with

cloves,

let

all simmer for a lifetime.

Scoop and savour hot

with

mustard.

NH 2019

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2018

Phenomenal time in Northern Ireland’s Co. Antrim and Belfast, Oct. 2018, that crowned an amazing year.
Two days left (or thereabouts) before a brand new year dawns with its own brand of hope, anticipations, expectations as well as challenges and trials… On the 29th day of the twelfth month, a fresh breeze blows on the island. It is a time for reflections, that final look over one’s shoulder before a leap in the unknown.

2018 has proven an amazing year, filled with challenges and adventures of all kinds, reconvening with old friends whilst bonding with new ones. It has taken me, the seeker-wanderer, across seas to discover unchartered places within the Isles. For the first time, I set foot in Glasgow in spring – and discovered the magic of Northern Ireland’s  Co. Antrim & Belfast in October. How I loved meeting again with Chris and Roo whilst meeting for the first time (in the flesh) with poet & former Co-Editor from the Scottish Geopoetics Elizabeth Rimmer at Jim Ferguson’s book launch in Glasgow, as well as with Emma and fellow Shetland poet & graphic novelist Chris Tait at the Project Café. I would reconvene with Emma in Belfast in October. On both trips, I was also given the opportunity to share my own poetics and verse at the Project Café and the Sunflower respectively. Two great fun experiences where folk enjoyed selected poems from Compass Head.

2018 has been filled with challenges of many kinds – from translating an entire book (late Dec.- 30 March) to returning to studying whilst complementing my professional qualifications within education, now adding Edinburgh University to Oxford, Southampton and Université de Provence (Aug.- Nov.). If Georges Dif’s “Shetland” was a project that occupied many of my winter nights between late December and March, editing alongside Jonathan Wills continued till mid-April here at 60N whilst two fellow poet friends & authors Emma Van Woerkom and Andy Murray also added their critical eyes over the poetic side of Dif’s book. What a formidable teamwork it proved to be. We all raced against time to achieve it for the English version to be found on shelf at the Shetland Times’ Bookshop by July. Epic. 25,000 words or there about. Working without its original author proved the greatest challenge, and I can only hope Georges can only smile from the heavens. 

2018 has continued to let my writer’s work fly within both my writers’ groups – Lerwick & Westside – and places around the island that welcomes the spoken word. From Mareel’s Open Mic sessions to Fjara’s Singer-Songwriters, respectively hosted by friends & artistes Keirynn Topp and Gail Wiseman, but also at Lerwick’s The String, as hosted by Jordan Clark and also, within the sanctuary nurtured by Radina and Alan McKay at Soul Time throughout the year. Fantastic bubbles of humanity treasured in my heart. Delectable moments of pleasure. On a wider level, I was invited to contribute to the #patchworkpoem through my Federation of Writers (Scotland) which was broadcasted by Andy Jackson on National Poetry Day. Great fun and gracious thanks for mapping Shetland through my humble contribution. I always value inclusion. 🙂 

2018 homed an incredible summer of wonders and adventures under unparalelled blue, where I shared my passion with friends and kindred spirits – where I reconvened with my Norskie clan in style. Tattooed in my heart. I miss Norway, and Norway came to me.

2018 also celebrated the memory of Alex Cluness at this year’s Wordplay. This was the opportunity to salute the phenomenal work of Alex as a poet, but also as the “Father of Wordplay and Shetland Arts’  Trust’s main project has outlived him. For the occasion, friend, poet & author Alan Jamieson (RAJ) played MC at the Shetland Writers’ Celebration Night event with great flair, and he also conducted a brilliant Creative Masterclass at Bonhoga during that literary weekend. Memorable slices of life and creativity that awoke the pen in new directions. Fruitful writing that I later read at Wordplay’s closing event, the Open Mic’. RAJ smiled. What a fabulous weekend it proved to be. So happy to reconvene with both Alan and Rozeanne on such occasion.  2018 also commemorated the century of an Armistice that engulfed humanity into genocide and the National Theatre of Scotland allied with C.A. Duffy to pay homage to all the men sacrificed  in the Great War as Pages of the Sea. For the occasion, Lisa Ward invited me to read poetry at Ninian Sands. A very poignant experience. Thank you, Lisa and NTS. And as we descended back to the winter solstice, my school term eventually melted into a low December sun. Yule upon us, and the festive season kicked off with Singers-Songwriters’ Christmas Concert at Fjarå. Sadly, I had to curtail due to a double-booking, however, I honoured both. Thank you, dear Gail, for your kindness.  Two days away from a New Year, and I returned to Ninian Sands, my dear sand bridge, where the sand shifts on either side.Your shoormal looks peaceful at low tide, Christmas Day, a mere memory. Time to sample the now, reconvene with great friends, and share a slice of life. 2018 has been a fruitful year. May the forthcoming one keep you well and happy. 365 brand new pages I hope to fill with joy and brand new adventures! Happy Yuletide and New Year, everyone! 

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Mørkin (2)

I toy with the thought of
touching the Moon that
hangs out in
this dark blue sky;
and as
tide turns in
your favour, on that last weekend of
July,
I feel its pull, rolled up in
clouds.
I lit a tea light in your name, and
let the lantern on the deck, for
you to find me in
the dark,
mørke, mørkin, in murky night, where
the Moon shies here in
thin clouds, between my world and
summer tides – where Angle shades fly to the flame, where your voice vanishes with
night.

© Nat Hall

Sandwick, 26 July 2018.

 

Note: Mørkin, from the Norwegian, mørke, dark(ness)

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Skydiver

Six wonderful days in the great Scottish city of culture. 

Reconvening with friends, meeting old and new ones – treading on flagstones and cobbles uncharted till then…

Book launch, Open Mic’ reading… Now Compass Head introduced, well received and since well shelved in Renfrew Street. 


With gracious thanks to Christie Williamson and Hazel Frew for rolling the ball, Chris Tait for a great crack, Basil for homing the verse at tell it slant and orchestrating that marvellous night at the Project Café, and to E for being here all along. 


So lovely to meet up with Elizabeth Rimmer at the Clutha Bar for Jim Ferguson’s book launch and blending with Glasgow poets that same night.
So chuffed to share such precious slices of life with precious friends. 

Felt so welcomed at the Project Café as well as any public place treaded into. Glasgow shines through the folk who make the place!

Till my next visit, Sláinte, Glesga! 

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#worldpoetryday

With the Vernal Equinox, that sense of joy and revival, as Mother Earth awakes and grows deep in her bounty and belly, comes an invitation to create, celebrate, as today, Wednesday 21st of the third month, was chosen as our World Poetry Day. 

The chance to reconnect with ourselves as Mother Earth’s children, and allow creativity to flow like sap inside our souls.

It is exactly what happened this morning during Period 3 in the classroom with Fourth Year pupils who wished to practise their own creative writing skills through poetry. 

They asked me for the first theme, whilst they picked the second.

They sat down inside our world, and, with a few words of guidance, began to write their poetics. Not only happy to hint them into using their own senses, they asked me, the poet, to write my own.

Theme 1

The Rain

It drips and clops like

a metronome against time,

Clop, clop, clop, clop… 

that sense of Spring past Equinox, as they lash into their 

trillions, clones,

cold water unleashed from clouds;

aborted, unborn icicles,

unwanted so late inside March.

I hear them crash against windows, on every corner of

meadows, and feel them

drop inside the

warmth of my collar, as 

morning vanishes in

vain.

——–

Theme 2: 

The Beach

There isn’t a pebble in sight,

heart-shaped, 

polished by angry tides, 

riptides and rollers 

rolled in wrath

a jealous moon pulled & twisted.

But there are prints from

our own past, 

hundred of footprints in white sand

a gale will blow, obliterate through

hands of time, like

a school slate wiped by a child,

timetables & mathematics in

an attempt to unwind 

Pi.
NH 2018

————-

Now your turn to be creative and celebrate the spoken word on this fine day! 🙂 

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wild

starlings in black n white

October, the month of heaven & grace

Marvellous moments of lightness, privileged times among paired swans, preening and sharing love in grace at last light… Statuesque haigries (herons) around our bays, the joy to reconvene with our beautiful Earth. I observe them from the distance, with that humble feeling, so intimate the moment. The light is soft, nearly sunset. The air is charged with tenderness and love in that autumnal sense of rawness…

Intimate. So privileged, I feel.

Sensual, magical.

This north end corner of Spiggie Loch gradually welcomes them back, as the Arctic winter dictates. They will flock in and preen, share a few weeds with a few ducks – gather on the shore for bathing and arrange their feathers, and roost by twos… A bit of love inside a world so few can taste.

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swallows

 

 

 

 

 

On the topic of migration, hirundines – the embodiment of summer – and swallows in particular have always captivated my heart. I remember them nesting under the roof in rue de la Libération in Gisors as a child; and their return every year throughout life – wherever I have settled – remains magical.

Today I watch them return on the island, so far away from my grandmother’s home, and every time they rekindle that moment of discovery as a child… They fly from West Africa to reach us. Their journey feels incredible – travellers without papers across our northern hemisphere. They come to create the next generation – they have two homes, they are the product of two worlds, and they embody with so much grace many of us, humans, who have been blessed with more than one home…

A powerful allegory.

 

Here, to celebrate those amazing avian wanderers, a string of micropoetry, first written in French, then, translated in mirror.

 

Les hirondelles

1.

Furtives,

des anges habillés bleu et noir,

avec dans leurs yeux, du courage;

l’iris riveté au soleil, avides d’amour hors des nuages, sous

les génoises, elles font un voeu.

1.

Furtive,

they, angels clad in black & blue,

with courage in their eyes;

iris riveted to the sun, avid to love in cloudless skies, under

a roof they make a wish.

2.

Intrépides,

elles traversent déserts, champs et mers,

se confient aux cours d’eau, les chansons de la terre

pour retrouver enfin une once du berceau.

2.

Intrepid,

they fly across deserts, meadows and seas;

confide to waterways, the many earthly songs, to

find at last an ounce from home.

3.

Je les entends venir enfin,

leurs longues plumes dans mon ciel,

s’arrêter  sur un fil de fer, entre iris et mur de pierres,

un rebord de gouttière,

la latitude de leurs ancêtres.

3.

At last I hear them come,

their long feathers inside my sky,

to perch on a wire, in between iris and stone walls,

the edge of a gutter –

their ancestors’ latitude.

 

 

 

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